Pandora
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I came across Mr. Krukowski’s article via a post about it on The Candler Blog by Jonathan Poritsky. ↩
Adele's '25' on Pandora
Pandora confirmed to Entertainment Weekly that every track from Adele'e new album is available through its radio service. That's not going to be a particularly great way of listening to 25 — because Pandora is a radio service, it means you can't choose what to listen to and will have to wait for a station to play the new songs — but it does mean that Adele's album is streaming in some form. You just have to be really, really patient to hear it all.
Pandora’s strange licensing niche usually works against it but here, despite the inability to listen through the songs in order, Pandora has something like an exclusive.
I wonder if Adele’s lawyers told her that keeping it off the on-demand streaming services means the track order she chose will not be the one many people hear the first time they hear the songs.
I don’t know how much that matters to modern musicians, or to someone like Adele, who doesn’t really have a customer acquisition problem.
For the, er, record, I prefer to listen to an album in order if possible.
Streaming music to listeners, but not money to artists
Streaming music to listeners, but not money to artists
Galaxie 500 drummer Damon Krukowski1, writing at Pitchfork:
Since we own our own recordings, by my calculation it would take songwriting royalties for roughly 312,000 plays on Pandora to earn us the profit of one— one— LP sale. (On Spotify, one LP is equivalent to 47,680 plays.)
I’m a happy user of Rdio, which is Spotify’s primary competitor. My fiancée and I pay $17.99 per month for Rdio’s unlimited streaming and downloading to our phones. At first glance, Mr. Krukowski’s article calls the morality of that set-up into question, particularly for someone who wishes he could make a living on his own music.
Some streaming subscribers probably buy more records than non-streamers as a result of discovering new musicians or getting so attached to a record that streaming it just isn’t enough. But Mr. Krukowski casts serious doubt on the idea that streaming can, in any way meaningful to artists, replace the CD/vinyl/iTunes mode of music distribution.
Pandora suing ASCAP for lower licensing fees
Pandora suing ASCAP for lower licensing fees
Don Jeffrey of Bloomberg:
Pandora also claims that it’s entitled to lower rates because some large music publishers have announced they are withdrawing new media rights from Ascap and negotiating licensing fees directly with Web radio services.
The times, they are a-changin’.